We have split our music videos into 3 sections to make it
easier to film, the dance scenes, the narrative scenes and scenes against a
white backdrop.
When our audience watch our music video we want them to
understand the narrative clearly, without being confused about the concept
after watching it. As the song we are using, Miley Cyrus – Wrecking Ball, is
about a relationship break up, we wanted to show the aftermath of a breakup
rather than showing the actual break up itself. To do this we decided not to
have a whole continuing narrative cut up and inserted into the music video but
instead have individual different scenes of the aftermath edited in through-out
the music video. This means that for the narrative scenes the actor will not be
in the same set or environment every time. For example, for one of the scenes
she will be dragging pictures off of a bedroom wall and burning them and in
another she will be walking down a lane/alleyway alone. We think this would be
the best way to get the narrative across to the audience so they understand the
concept.
Another one of our settings will be against a white
backdrop. We will film our actor in a variety of shots, singing the song
directly to the camera. We have seen many other pop artists do this including
Miley Cyrus herself. In this scene the actor will be wearing dark clothing as
we believe this will contrast against the white background and go with the emotion
behind the actual song. We will also have minimal make up and no jewellery on
the actor as we want these scenes to come across as more emotional.
In the last setting we will have the actor in the dance
studio. Here, the actor will dance to the music and we will cut and edit the
scenes in. The actor will be dressed in a black leotard and leggings. We have
seen this done in many more music videos too and think it is an effective way
of representing an idea depending on how the actor dances. For example, in
Cheryl Cole’s music video for parachute, she dances in a way that links with
her idea of a ‘parachute’ as she falls on the male dancer and relies on him to
hold her up, just as you would expect a parachute too. This idea vaguely links
to Andrew Goodwin’s theory of making the lyrics literal. We hope to graft choreography
that we can interpret to link with the song and show the loneliness and passion
the actor may be feeling using these scenes.
Feedback from the target audience -
‘The idea needs to be more creative as at the moment it is
very cliché, it needs to be exciting and original rather than the same music
videos that we always see, especially in the narrative areas. For example when
you say she reads over her old texts from her boyfriend, it is something that
the audience would expect. I think that the whole concept of the video will be
clear to the audience but at the moment the idea is not original.’
‘I like the idea of costume, as an all black costume is representative
of the character’s feeling in this song. I also like the fact that there are a
lot of different settings used, this way I guess it won’t be boring. I also
like how you are using a white rose and tinting it with black paint, showing
that things in the relationship are going wrong. I hope to see the finished
music video soon.’
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